Making the Workshop Work For You

Culled from my experiences & conversations last year, here are some tips on how to take on the creative writing workshop. Since I’m a poet, the poetry workshop is what I have in mind, but I’m sure fiction writers could benefit from these thoughts as well. Noticeably, this advice emphasizes what you can do before the workshop even starts.


Before you even start to think about the MFA workshop, you have to (at least try to) set your anxieties aside. If you’re afraid you’re not “good” enough to be in the workshop, know 2 things. First, your acceptance into the MFA & placement in the workshop was not a fluke. A committee saw brilliance & potential in your work. Somebody wants you here because they know you in the process of writing something amazing. Second, know that everyone is a little nervous before workshop begins, even if this isn’t their first time at the rodeo. Sharing your work with people requires a certain vulnerability that we all have to come to terms with. It might help for you to share some work with a few trusted friends before the workshop begins so you dip your toes in the water.


One of the best things you can do for yourself is to write a majority of your work well before the workshop begins. This might seem obvious to a lot of people, but it wasn’t for me. I didn’t have confidence in the work I did before the MFA program & so I thought it would be better to write in the thick of it. Most of the poems I workshopped were written the week before. They weren’t complete train wrecks, but the workshop experience wasn’t as profitable as it would have been if my work was more polished.


Another benefit of writing well before the workshop begins is that you can write with fewer voices in your head. This summer, I’ve found that I’m willing to take more risks in my work when I’m not thinking about what my workshop will think. The time for that mentality will come but for now I want to be uninhibited and even a little wild. I can tone it down later.


The week before workshop begins, take some time to reflect on yourself, your work & your goals. Rachel Hadas has everyone in her workshop write a short statement about their thoughts on poetics & their expectations for the workshop. In that workshop, we got a copy of everyone’s statement which I found to be very helpful. At a minimum, though, you can & should write a similar statement on your own. Once you’re neck deep in workshop opinions, it’s easy to lose track of how YOU feel about your work. Starting off with a clear declaration of who you are as a writer is an important and helpful step.

via For Southern Boys Who Consider Poetry


About Saeed

Saeed Jones earned his MFA in Creative Writing at Rutgers University – Newark. His poetry has appeared in publicans like Hayden's Ferry Review, StorySouth, Jubilat, West Branch, Weave, The Collagist & Line Break. When The Only Light Is Fire, his chapbook of poems, is available from Sibling Rivalry Press.
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